We are excited to be premiering a new work by Lisa Illean in 2017, commissioned through the new APRA AMCOS Art Music Fund. Read more

In a recent article in The Conversation, The sound of silence: why aren’t Australia’s female composers being heard?, it was proposed that only 10% of Ensemble Offspring’s 2016 programs featured music by women composers. We are unsure of how the authors collected their data, nor why that particular data set was chosen, however over 60% of our 2016 programs feature music created by women — both through notated composition or improvisation*. We question the research methods undertaken by the authors and believe that it is detrimental to quote one incorrect and seemingly shocking number of an ensemble’s activity in one year, without contextualising it. We would also like to draw attention and pay our respects to the many other individuals and organisations addressing this issue mostly in a quiet way, effecting change through their operations and actions. Read more

Our much-loved annual event, Sizzle, enters it’s sixth year (and ninth iteration) in 2016. Artistic Director Claire Edwardes looks back on the origins of the event, some highlights over the years and what she’s looking forward to this year. Read more

Ensemble Offspring is seeking an Administration and Operations/Marketing Assistant. The core function of the role will be to provide administrative support for the company, reporting to the General Manager. Ideally, the role would also cover operational and/or marketing support for the company. Read more

2015 has been a huge year for Ensemble Offspring. We toured to China, embarked on numerous collaborations, welcomed our new Patron, Kim Williams, celebrated 20 years strong, and say farewell to our co-Artistic Director, Damien Ricketson. Read more

Photo: Claire Edwardes and Damien Ricketson embrace during a standing ovation at the end of Future Retro on 25 Oct 2015

Ensemble Offspring founder and co-Artistic Director, Damien Ricketson, has announced he is stepping down from his position at the end of 2015. Acting in the new role of Chair of Composition at the Sydney Conservatorium, the composer leaves the organisation after 20 years, announcing his departure at a concert in celebration of the group’s 20th anniversary, Future Retro. Co-Artistic director, Claire Edwardes will continue to lead the organisation as its sole Artistic Director. Read more

Ensemble Offspring is thrilled to be a featured ensemble at the 8th International Shanghai New Music Week. EO regulars Claire Edwardes, Lamorna Nightingale, Jason Noble and Roland Peelman will be joined by special guest from Melbourne Lizzy Welsh, Blair Harris and our very own Hatched Academy pianist, Jacob Abela, as we take to the sky and hit China running with three dynamic programs of new music. Our two main concerts comprise a mix of Australian repertoire we’ve commissioned over the years – Mary Finsterer, Rosalind Page, Damien Ricketson – as well as brand new repertoire from prominent Chinese composers, which will see us team up with local sheng and pipa players in Shanghai. We are also presenting an international composition masterclass with students from around the world led by renowned Austrian composer Beat Furrer. Read more

Ensemble Offspring invites applications from curious, open-minded and adventurous performers and composers under 30 for the 2016 Hatched Academy. The program provides hands-on practical experience, equipping participants with the diverse skills sets they need to go on to become our successful artistic and cultural leaders of the future. Read more

In July 2015, Ensemble Offspring hit Western Sydney where over 10,000 excited kids and parents were captivated by Pipe Dreams Green. In the centre of Casula Powerhouse’s vast Turbine Hall, a giant tree-like structure was made from brightly coloured plastic tubes: a garish clash of organic forms and artificial materials for The Way Out West Children’s Festival. Devised by co-Artistic Director Damien Ricketson, the installation was the centrepiece for a series of twelve performances and workshops over four days by Ensemble Offspring, including Damien, Jason Noble, Lamorna Nightingale, Kathy Cogill and Elizabeth Jigalin. Watch a time-lapse video of the structure as it is built, extended through the festival, and dismantled, and given to children at the festival, and take a tour through the installation in photos.
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Ensemble Offspring, together with 417 other arts organisations around the country, recently had their funding submissions to the Australia Council suspended in the wake of the arts budget introduced by Minister for the Arts, Senator George Brandis. With the future uncertain, composer and co-Artistic Director, Damien Ricketson, examines a recent protest at the Sydney Opera House, explaining why the opening night of Opera Australia’s Turandot was targeted. Drawing upon some Dutch history to provide historical narrative, Ricketson puts out a call-to-action for independent-minded musicians to demand a fair funding future.
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